MONSTER MOVIES: A CHARACTER STUDY
by Jordan E. Franklin
my go-to weekend plans
no one ever understands—
with all their boogeymen,
lining closets like wallpaper,
their boogeywomen robbing babies
from cradles. Kaiju optional.
To begin this ritual, i turn off
the lights, wait until every corner
becomes a stranger, yet at the room’s
dark dark heart sits me: the lonely
girl wanting not to care
for a while.
Monster movies,
where scared Black geeks can run off-
screen, live, and no one stops
them. Cut to screams. The screen
drowns in fake blood and all
the “dead” resurrect once the flick’s over.
Before the macabre screen, I can forget
how sleep and prayer aren’t enough.
The world outside this living room spins
and burns and spins. Here in this box,
there’s no war, no conquest, no genocide.
The monsters here are cruel,
not from hate, but from
hunger.
Monster movies
for the day falling—
for me, dinnerful, but needing
their teeth and blood to truly fill me.
No matter how much i shake and shriek,
the fear they give me never overstays.
i can turn on the lights. i can turn
the movie
off.
Jordan E. Franklin hails from Brooklyn, NY. She received her MFA from Stony Brook Southampton and a PhD from Binghamton University. She is the author of the poetry collections, when the signals come home (Switchback Books, 2021), and the chapbook, boys in the electric age (Tolsun Books, 2021). Her work has appeared in Breadcrumbs, Frontier, Tinderbox Poetry Journal, the Southampton Review, Hanging Loose, Obsidian, Torch Literary Arts, and elsewhere. She is the winner of the 2017 James Hearst Poetry Prize, the 2020 Gatewood Prize, and the 2024 AWP Intro Journals Project Award. Her latest manuscript, make it to the end (of the movie), was selected by Evie Shockley for the 2025 Blessing the Boats Selection, and will be published by BOA Editions in Fall 2027.

